Showing posts with label Wood Where the Two Moons Shine. Show all posts
Showing posts with label Wood Where the Two Moons Shine. Show all posts

Wednesday, May 6, 2015

The Life of Hercules: The Hero's Death

Tenth (and last) of a series. Here are the earlier posts:
The Early Adventures in the Quest for the Golden Fleece

Nessus, Heracles, & Deianeira
Black-figured hydria, 6th c. BC, Louvre
http://www.theoi.com/Georgikos/KentaurosNessos.html

       The following utilizes the text of Robert Graves' Greek Myths:       
       Herakles had many women and other wives, but his most important liaison was with Deianeira.  Deianeira was considered the daughter of Oeneus and the sister of Meleager, but she was really a daughter of Dionysus.  She was courted by the River God Achelous, who often appeared as a bull or a bull-headed man, and the prospect of marrying him revolted her.  Herakles was also in contention for her hand and he fought Achelous and won the battle, snapping off one of his bull's horns (I used this, in much adapted form. in The Storm-Wing, when Ki'shto'ba fought the lightning reptile and broke off his horn).  Thus Herakles acquired the hand of Deianeira in marriage.
       They had four sons and one daughter, including a son named Hyllus.  The children that the mad Herakles killed, however, were from a different wife, Megara.
       There is no denying that Herakles was never faithful to Deianeira.  One day in crossing a river, the Centaur Nessus offered to carry Deianeira across on his back while Herakles swam.  Instead, Nessus galloped off and tried to violate Deianeira.  Herakles heard her screams and pursued, shooting an arrow through Nessus's breast.
     For revenge, the dying Centaur told Deianeira that he would give her a charm to ensure Herakles's faithfulness -- that she should take blood from the wound, mix it with olive oil, and seal it up in a jar, then later on apply it to one of Herakles' shirts.  This she did without telling anyone.
       Later, when Herakles was preparing a thanksgiving sacrifice for a particular festival, he sent the courier Lichas to Deianeira for a fine shirt and cloak.  Deianeira was being forced to live in the same household as one of her husband's mistresses, and so at this point she availed herself of Nessus's love charm, impregnating a piece of wool in the mixture and rubbing the shirt with it.  After the clothing was dispatched to Herakles, she flung the piece of wool into the courtyard and to her horror watched as it ate into the pavement, causing red foam to boil up from it.  Realizing that Nessus had deceived her, she dispatched another courier, but it was too late - Herakles had already donned the shirt.  Herakles' arrow had infused Nessus's blood with the poisonous blood of the Hydra and this caused Herakles to burn with hideous fire.  As he ripped off the shirt, his flesh came with it, exposing the bone.
       Unable to find relief, Herakles raged across the countryside and killed the unfortunate courier Lichas, who was not at all at fault, by flinging him into the sea, where he became a rock of human shape, known as Lichas even to this day.  Then Herakles sent for his son Hyllus and asked to be carried away to die in solitude.  Meanwhile, Deianeira killed herself either by hanging herself or by the sword. [Here is a minor irritation - I know I read somewhere that another alternative death for Deianeira was by flinging herself off a cliff, but can I find that now?  Doing a little checking, I discovered that in Hercules: The Legendary Journeys, Deianeira threw herself off a cliff, but I never watched those early episodes.]
       Hyllus assured the vengeful Herakles that Deianeira was innocent, so Herakles forgave her and shared only with Hyllus Zeus's prophecy: "No man alive may ever kill Herakles; a dead enemy shall be his downfall."  Herakles then lay down on his own pyre and ordered its kindling.  Lightning bolts came from the sky and reduced the whole pile to ashes.
      Zeus then took Herakles' spiritual remains up to heaven (apotheosis), made him one of the Twelve Olympians, and persuaded Hera to adopt him (unlikely scenario!) by producing him from beneath her skirt.  He was then given Hebe in marriage, and he became the porter of Heaven while his mortal phantom stalks Tartarus, still looking like the shaggy earthly hero we all know well.

       Those of you who have read the six volumes of the Ki'shto'ba series will see the quite ingenious connections that I was able to draw between Herakles and my own more peaceable and humane Champion.  One plot problem lay with the sexual motivation, since termites feel no such thing as sexual jealousy.  They do, however, experience the desire for revenge and the instincts of compassion and forgiveness.  I won't spoil the final volumes of the series by giving any additional explanation.

       This concludes my series on the Life of Hercules.  However, I may supplement it with some additional myths which apply to the sequel volume (yes, there has to be a sequel volume, to tie up loose ends), so stay tuned.

Friday, November 28, 2014

New Review of The Wood Where the Two Moons Shine!

 
 
Here is Marva Dasef's review of v.5 of the series
The Labors of Ki'shto'ba Huge-Head
 
See Marva's publications (YA and MG books,
 as well as adult, and a lot of audio books)
at Amazon
 
       In addition to looking up the myths yourself, you can read the posts in this blog in the series "The Life of Hercules," where I talk a good deal about how I adapted the stories.  I'd also welcome comments on how you feel about the conlangs.  Of course, you'd have to read some of my books first! 
 
An Epic Worthy of the Mythology


 Okay, if you haven't started with Volume 1 and worked your way through to this 5th volume, you'll have no idea what it's all about. Stop reading the review right now. Go to Amazon or Smashwords and start at the previous two-volume book, "The Termite Queen, Vol. 1" or at least at "The Labors of Ki'shto'ba Huge-Head, Vol. 1" which picks up events after the first book.
       While an excellent addition to the epic tale of heroic alien termites, I wanted a little more to highlight Ki'shto'ba's quest's end. As the first volume of the story of Is’a’pai’a's search for the golden (fleece) fungus, it's a smooth transition into the young warrior's quest.
       Yes, this is an imagining of Jason and the Argonauts. Most of the characters in the Greek myth are present and accounted for. But this doesn't need to be a deed for deed, character for character retelling. Some aspects of the Jason myth are impossible. For example, Medea as Jason's wife just won't fit into the story of neuter termite warriors. I suspect a Mother (queen) termite will stand in for Medea at some point.
       Am I complaining that the epic adventures of Hercules (Ki'shto'ba) and Jason (Is'a'pai'a) are utilized as the basis for the termites' tellings? Not at all. I went to my Dictionary of Mythology to remind myself of the human equivalents to the termite heroes and deeds.
       My only problem throughout the series is the con-lang (constructed language) Ms. Taylor has created. It's an impressive feat. On the other hand, it's reading a story with all the names and lots of other words are written in Urdu or Finnish. Hard to remember who is who and what is what. I got used to the main characters' names, but new characters and words introduced along the way didn't stick quite as well. This makes the book difficult to read without breaking immersion. The imaginary "translator" of the termite language text, could easily have said "Since the names are difficult, I will substitute more familiar (or shorter) terms to stand in. Please see the Appendix (yes, there is one) as needed." Thus, Ki'shto'ba would be called Kip or Kish, Is'a'pai'a could be Ike or Isa. I would definitely be easier to read.
       The difficulty of maintaining immersion because of the con-lang dropped a star off the rating [to 4 star]. In all other ways, I highly recommend both series. I look forward to reading Isa's continued quest for the golden fungus in volume 6.
 
(Don't forget to check out my new book trailer at YouTube)

Monday, September 15, 2014

The Life of Hercules: The Golden Fleece (The Young Jason)

Seventh of a series. Here are the earlier posts:



Here is a detail of one of my drawings, showing Is'a'pai'a
 carrying ta'ta'wa'tze| on its back across the river.
Believe it or not, I couldn't find a really appropriate
 classical picture showing either the crossing of the river
 or the first meeting of Jason with Pelias.
       Hercules was an Argonaut -- a member of Jason's crew on the ship Argo who shared in all the fantastic adventures of this crew of doughty Champions. Hercules was not a major participant and he left the Quest before it was finished, but since it was important in his life, I had to take it into consideration as part of my series The Labors of Ki'shto'ba Huge-Head.
       Those of you who are reading the series may have guessed that Is'a'pai'a, the young outcast Tramontane Warrior, is the stand-in for Jason. The early part of Jason's life forms a fascinating story of its own.
       (Parenthetically, the name "Jason" means "Healer," and so I called my character "Is'a'pai'a," which in the Shshi language means "Healing Warrior.")
       When you read The Wood Where the Two Moons Shine, you should see many parallels with the early life of of Jason.  It's a little complicated in its relationships, so I'm going to quote directly from Robert Graves' Greek Myths (section 148, "The Argonauts Assemble"):

       "After the death of King Cretheus the Aeolian, Pelias, son of Poseidon, already an old man, seized the Iolcan throne from his half-brother Aeson, the rightful heir.  An oracle presently warning him that he would be killed by a descendant of Aeolus, Pelias put to death every prominent Aeolian he dared to lay hands upon, except Aeson, whom he spared for his mother Tyro's sake, but kept a prisoner in the palace, forcing him to renounce his inheritance."
       In my rendition, Pelias is Wei'thel'a'han, believed to be an offspring of the Highest Mother's Sea King.  He is a tyrant from across the sea who invaded and seized the fortress of Hwai'ran'chet (Iolcus), only to find that the current Mother's primary King happens to be Wei'thel'a'han's sibling, both hailing from the fortress of Fet'ro'chet.  At that point the Seer/Sorcerer No'tuk'a'nei (who has no direct equivalent in this part of the myths, except as the oracle who predicted the death of Pelias) foretells that a scion of the fortress Fet'ro'chet would cause Wei'thel'a'han's death.  So Wei'thel'a'han, who is desperately afraid of death, commits a great atrocity, slaughtering every individual, nymph, and egg in Hwai'ran'chet who was laid after the coming of Fet'ro'hma'no'tze, the King in question.  However, Wei'thel'a'han is quite superstitious and fears to kill  its own sibling, so Fet'ro'hma'no'tze is simply removed from the presence of the Mother and imprisoned.
       Can you see the parallels?  Fet'ro'chet the King represents Aeson.

       Graves continues, "Now, Aeson had married Polymele [equivalent to the Mother Ti'gan'ta'zei in Hwai'ran'chet] ... and bore him one son.  ...  Pelias would have destroyed the child without mercy, had not Polymele summoned her kinswomen to weep over him, as though he were still-born, and then smuggled him out of the city to Mount Pelion; where Cheiron the Centaur reared him, as he did ... with ... Achilles ... and other famous heroes."
       In my rendition, the fortress's former Seer smuggles out one small, shriveled egg after telling everyone that it surely was infertile and offering to take it to the Charnel herself.  Instead, she takes it into the Spirit Hills, to Zan'tet, the principal fortress of the Yo'sho'zei (equivalent to the Centaurs), where Vai'zei'a'parn the Leader of the Yo'sho'zei, cares for it.  Ultimately, it hatches into a little nymph whom Seers name Is'a'pai'a.  These same Seers then caution Vai'zei'a'parn that when Is'a'pai'a passes its fourth molt, it must be sent away to seek a great northern hero who would teach it how to be a true Champion.  (I think I just invented this last part, but it certainly makes sense.  Nobody would want Wei'thel'a'han to learn of the existence of Is'a'pai'a before it matured, and this was a way to get Ki'shto'ba into the story.)

       Now, a second oracle warned Pelias to beware a one-sandalled man, and one day on the seashore he encounters exactly that.  Graves writes, "The other sandal he had lost in the muddy river Anaurus ... by the connivance of a crone who, standing on the farther bank, begged passersby to carry her across.  None took pity on her, until this young stranger courteously offered her his broad back; but he found himself staggering under the weight, since she was none other than the goddess Hera in disguise.  For Pelias had vexed Hera, by withholding her customary sacrifice, and she was determined to punish him for this neglect."
       Therefore, when Pelias asks for the name and lineage of this stranger, Jason blurts out the truth.  "Pelias glared at him balefully.  'What would you do,' he inquired suddenly, 'if an oracle announced that one of your fellow citizens were destined to kill you?'
       "'I would send him to fetch the golden ram's fleece from Colchis,' Jason replied, not knowing that Hera had placed those words in his mouth." 
       Of course, this is exactly what is destined to happen, and so the Quest for the Golden Fleece was launched.  The problem is, how does one adapt all that to the termite culture?  Termites don't wear sandals, after all.  And how can Is'a'pai'a carry the Mother Goddess on its back?  But it makes very good sense that the same vengeful Highest-Mother-Who-Has-No-Name who engineered the downfall of Thel'or'ei for violating the prime directive of the Shshi worship system: thou shalt not harm the progenitors who give you life! -- that this same goddess would be enraged at Wei'thel'a'han for its own violent treatment of the life force. 
       Anyway, I'm not going to tell you how I did it!  In the picture above I purposely blocked out the lower part of Is'a'pai'a's six legs!  It's a pivotal event in the latest volume to be published, The Wood Where the Two Moon Shines, and if you want to know, you'll just have to read the book, or preferably the whole series, first!  

 

Sunday, September 7, 2014

The Wood Where the Two Moons Shine Is Published!

Front cover
The Labors of Ki'shto'ba Huge-Head
Volume Five
The Wood Where the Two Moons Shine
 
is now published!
 
Only one more volume to go!
 
       Here is the description of v.5:
Back cover
The Companions arrive at the Hidden Fortress and meet Vai’zei’a’parn, the Leader of the Yo’sho’zei, who was Is’a’pai’a’s mentor.  Is’a’pai’a finally learns the story of its origin – how its egg was laid in Hwai’ran’chet at a time when that mighty fortress had come under the domination of an invading tyrant named Wei’thel’a’han.  Here the treacherous No’tuk’a’nei, a power-hungry Alate Seer-Sorcerer who happens to be the hatchmate of Vai’zei’a’parn, convinced the new Commander that a nymph of a certain lineage would be the agent of its death.  Since the current King of the fortress was of that lineage, Wei’thel’a’han ordered the destruction of every egg laid and every individual hatched since that King came to the Mother.  In the midst of the ensuing slaughter, one egg was rescued and taken to the Hidden Fortress, where it was given to Vai’zei’a’parn for safekeeping.  Is’a’pai’a hatched from this egg and now it learns that its destiny is to be the Champion who delivers Hwai’ran’chet – and its own Mother – from the clutches of the Tyrant and its evil Sorcerer.
       The Companions linger in Zan’tet, where a seemingly harmless adventure ends in disaster.  Ultimately, Ki’shto’ba and its Companions depart to finish the Quest to reach the sea before venturing into Hwai’ran’chet.  Accompanied by the newly acquired 11th Companion, the group soon encounters the 12th, who guides them to the shore.  Arriving at sunset, they can at last see the Golden Path on which thy must tread. 
Many prophecies will find their answer as the future continues to unfold.  In the final chapter, a ship has been built and the Quest for the Golden Fungus is about to begin.  The leadership of the Quest then passes to Is’a’pai’a even as the Companions learn the meaning of “The Wood Where the Two Moons Shine.”
 
A Word on Volume Six
 
The final volume in the series will be entitled The Revenge of the Dead Enemy, with all the ominous implications that phrase carries -- and you'll know what I mean if you've read the earlier volumes and remember the prophecies of certain Seers.  I hope to have v.6 published well before Christmas.  It will complete the questing begun by Ki'shto'ba Huge-Head, Di'fa'kro'mi the Remembrancer, and their Companions way back at the end of The Termite Queen.  However, it doesn't complete the whole story, so
 
There must be a sequel!
And it hasn't been written yet!
 
My plan is to write one more book, which will probably be entitled The Buried Ship at the End of the World.  I expect the writing of this book to go a bit slow.  I haven't really written anything new (no major fiction at least) in several years, so I expect to be rusty.  In the meantime, I've also gotten older (I assume nobody has gotten younger over the last few years!) and less energetic. 
Furthermore, Di'fa'kro'mi won't be writing the last volume.  I won't say more than that right now, but the person composing the book will be inexperienced at the Remembrancer's craft  and he will have to narrate the tale in the third person.  I'm so used to Di'fa'kro'mi's point of view that I may find it hard to get inspired.  But maybe when I actually start writing, I'll get into it.  I have some notes already, and I intend to do some more mythological research.  I also mean to make a chapter outline and stick to it, so I won't make my usual blunder of letting the length get away from me.  I guess I really am a planner, not a pantser!  Improvising is disastrous for me!
In the meantime, those of you who haven't read any of the series have some fun ahead of you!  Here are the links where you can buy all my books, or scroll down the sidebar for individual volumes:
 
Amazon (Kindle should appear by 9/10/14)
(and all other Amazon branches)
 

Wednesday, August 13, 2014

The Life of Hercules: The Centaurs and the Erymanthian Boar

Sixth of a series. Here are the earlier posts:

Terra cotta centaur statue, 8th c. BCE.
(Bibi Saint-Pol / Wikimedia Commons)
http://www.argonauts-book.com/cheiron.html

        The Centaurs and the Lapiths are both depicted in ancient myths as descendants of Ixion and they represent certain pre-Hellenic mountain tribes of northern Greece, according to Robert Graves in his Greek Myths.  Two different versions of their origin (see Lapiths and Centaurs in Wikipedia) confuse the picture, but in one of these Lapithes and Centaurus were presented as twins.  Lapithes went on to found the human race of Lapiths, while Centaurus mated with the Magnesian mares, producing the race of Centaurs.  Thus the two peoples were in effect cousins, even though they became mortal enemies.  Early depictions of Centaurs show them as humans with a human's legs and a horse's rear attached at the back, while  the currently more familiar form of a man's torso on a horse body developed later on.
       As time passed, the Centaurs began to be viewed as more barbarous than the human Lapiths.  "The strife among these cousins is a metaphor for the conflict between the lower appetites and civilized behavior in humankind." (Centaurs in Wikipedia)
       The Centaurs were unused to wine.  When they were invited to the wedding of the Lapith Pirithous, they consumed wine in a barbarous fashion, i.e. straight, undiluted with water, and in excessive quantities.  Hence, they became very drunk and began to attempt to have sex with all the women (and the men, too).  A great battle ensued, in which the Centaurs were defeated. 

Cheiron and possibly Achilles, although it
could just as well be Jason.
Etruscan vase, c. 500-480 BCE
(© Fæ / Wikimedia Commons)
 http://www.argonauts-book.com/cheiron.html 
       Strangely enough, even though the Centaurs represented the lower nature of humans, they could also produce great teachers, both of the arts of battle and of philosophical and moral matters.  This aspect of the Centaurs is best represented by the wise and honorable Cheiron.  Achilles' father gave him into Cheiron's tutelage to learn how to be a Champion, and Cheiron also mentored Patroclus, Asclepius, Jason, and other heroes (see list in the Wikipedia article).   He taught them not only how to fight but how to live. 
       Heracles was not mentored by Cheiron, but nevertheless they were friends.  This brings us to the topic of the Erymanthian Boar, the Fourth Labor of Heracles. I spoke about that briefly in my post The Life of Hercules: The First Six Labors, but I want to elaborate a bit here.  Boar hunts are common in Greek myth; after all the wild boar was a giant and fierce animal.  We already dicussed the Calydonian Boar Hunt, and who can forget that Adonis was killed by a boar?  However, our present interest lies in what happened as Heracles was on his way to Mount Erymanthos to capture the boar.  He stopped in at the house of Pholus, another kindly and friendly Centaur, and at dinner Heracles asked for wine.  Again, the concept that the Centaurs did not know how to handle wine comes into play.  The scent of wine attracted other Centaurs, who drank it straight, became rowdy, and attacked Heracles.  He shot at them with his arrows, which had been poisoned by the blood of the hydra, and they retreated to the cave-home of Cheiron.
       Curious as to why the arrows were so lethal, Pholus picked one up and dropped it on his own foot, thus causing his own death.  But more importantly, in the melee of the battle one of the arrows struck Cheiron.  Being a son of Chronus, Cheiron was immortal, but the pain of the poison was so great that he volunteered to give up his immortality in ransom for Prometheus.  Naturally, Heracles grieved mightily at having killed two of his old friends.

        So how do I make use of all this in The Labors of Ki'shto'ba Huge-Head?  I needed a species of Shshi that could represent the Centaurs.  The termite world is not fantastic enough to have a people who are, say, half termite and half reptilian (there are no mammals on that planet).  But there are many varieties of nasutoids (termites whose soldiers have both fighting mandibles and a poison-spraying gland; true nasute soldiers have only a poison-spraying gland and hardly any mandibles at all).  To the plains Shshi Ki'shto'ba and Di'fa'kro'mi, a nasutoid appears like a hybrid.  So I created the Yo'sho'zei -- the Ancient Ones -- who are supposed to be an archaic species of Shshi, the oldest in origin that are known.  They have enormous, downward-hooking mandibles and a gland on their heads that produces a foamy, lethal acid spray.  Their home is far to the south, near the sea, in a obscure region known as the Spirit Hills, and they have a mysterious reputation of being Sorcerers and Sages, attuned to things of the spirit.  We meet one of their Workers in the person of Krai'zei, the young Is'a'pai'a's aide and caretaker.
       What do I do for Cheiron?  He is such an important figure that I divided him into two people.  The Warrior Ju'mu, whom we encounter in v.1: The War of the Stolen Mother represents the trainer of Warriors.  Ju'mu is shown as the mentor of Nei'ga'bao Swift-Foot just as Cheiron mentored Achilles and it teaches Ki'shto'ba how to fight with an extra-body weapon.  The name "Cheiron" means "hand," but I couldn't name Ju'mu just "Mu" (claw), so I named him "Hard Claw."
       The wise scholar and healer who is the other aspect of Cheiron doesn't appear as a speaking character until v.5: The Wood Where the Two Moons Shine, which I'm just preparing for publication.  Vai'zei'a'parn is an aged Alate who mentored Is'a'pai'a (the Jason figure) as a nymph and obeyed a Seer's instruction to send Is'a'pai'a off to roam northern lands and find a Champion to teach it.  I couldn't use the meaning "hand" twice, so Vai'zei'a'parn's name means "Giver of Knowledge."
       How I complete the myth -- i.e., how the Erymanthian boar fits in, how Heracles kills Cheiron by accident, and how the drunken Centaur aspect is utilized -- will remain a mystery until you read the fifth volume!


A more typical depiction of a Centaur
Probably one of the drunken ones!
http://en.wikipedia.org/wiki/Centaur#
      
Besides the Wikipedia references mentioned in the text above, the following articles are of interest: